2008 07 22
It’s always great to see the the sitar being used in different genres. Here are Hayaken and Ryohei Kanemitsu from Japan performing “Supernatural Girl”
2008 07 21
Ustad Chhote Rahimat Khan is a superb sitarist based in Goa and teaches at the Kala Academy in Panaji (Panjim). The Kala Academy offers a 10 year sitar diploma (!) and will sponsor student visas for foreign students. You can find out more about Ustad Chhote Rahimat Khan by visiting his website. If you are in Goa looking for a sitar teacher, you could not do better than to sudy with the Ustad.
A new blog called Renownedgoans has done a profile of Ustad Chhote Rahimat Khan and the following text is from that article article:
[Ustad Chhote Rahimat Khan] was born on the 4th of July 1956 and brought up in Dharwad i.e.place of music and literature. Born in a family of musicians. He learnt under the guidance of father Late Prof. Ustad Abdul Karim Khan and grandson of late sitar ratna Rahimat Khan. The music has been running in the blood of the family for past seven generations from his grandfather to his generation. Family has been undoubtedly popularising sitar in south of India.he also belongs to “beenkar “bande ali khan gharana.
Naturally as it was running in the blood of the family he took the sitar in his hands at the age of eight . He was asked to play in a school gathering knowing that the family was in the sitar field. And the feedback that he got from the concert encouraged and gave him confidence to become as popular like his father. But he never thought or dreamt that he would be so popular in sitar.
As this field is very difficult because to gain name
2008 07 20
Another fun summertime video, this time from a Dutch group called Shimayana.
This video was from a concert in the summer of 2008 in Spaarndam, Netherlands. Shimayana consist of the following members:
Walkyri - Vocals
Mehmet Polat - Ud
Kees van Boxtel - Percussion
Cassandra Luckhardt - Cello
Marco Spinello - Sitar
Juliska Yonne - Keyboard
Piet bezuijen - Drums
For more information and music by the group, visit their MySpace page.
2008 07 19
Our favourite Brazillian sitarist, Alberto Marsicano, accompanies a reading from James Joyce’s Ulysses.
What’s that? You’ve never heard of Alberto Marsicano before? Hmmm… this requires a remedy. Stay tuned for more
2008 07 18
Jugalbandi: Imrat Khan and Sons
Thanks to archivist IMNxJRSP5G for this documentary from India’s Doordarshan TV featuring Imrat Khan, Vilayat Khan, Irshad Khan and Vajayat Khan. It’s in Hindi, but the music speaks for itself.
2008 07 16
Thanks to Trippy Monkey for posting this BBC documentary with Viram Jasani, a student of Vilayat Khan’s, discussing Raag development and performances practices in Indian classical music.
2008 07 14
Zakir Hussain speaks with Saeed Jaffery
Thanks to Trippy Monkey for this short interview with Zakir Hussain conducted by the actor Saeed Jaffery
2008 07 13
“Baba” - Documentary on Allaudin Khan
Rare black and white documentary on the life of Allaudin Khan, the teacher of Nikhil Banerjee, Ravi Shankar, his daughter Annapurna Devi and son Ali Akbar Khan.
2008 07 12
Daud Khan - The Robab and Sarod
Daud Khan discusses the Afghan robab and it’s historical connection with the Indian sarod.
2008 07 11
Alan Posselt playing a raagmala with Jay Dabgar in Adelaide Australia in 2007.
Alan Posselt is an Australian sitarist and musicologist who studied with Allaudin Khan. The following text is from his website:
Alan has been studying and performing Indian classical music for forty years and can now claim to be the foremost Indian Musicologist and Sitarist in Australia. After some years as performer on Classical Guitar, he travelled to India to study Sitar and Sarod and the rudiments of vocal technique and percussion from Ustad Allauddin Khan, father and teacher of Ustad Ali Akbar Khan and teacher of Pandit Ravi Shankar.
In Allauddin Khan’s final years Alan moved to Bengal and studied daily with Pandit Radhika Mohan Maitra, the eminent sarod player of the Sahjahanpur Rampur Gharana. Since Maitra’s death he has had musical guidance from many eminent Indian musicians, including Kashinath Mukerjee, Bimal Mukerjee, Prabud Chaterjee, VG Jog and most recently Pandit Arvind Parikh from whom he has learnt much on the Etwar Gharana of Ustads Imdad Khan, Enayat Khan and Vilayat Khan. All of these influences have given Alan a rich foundation on which to build his own evolving style.
During the seventies Alan enjoyed some success as composer for documentary film and dance, including pieces for Australian Dance Theatre, Sydney Dance Company, Australian Moving Society, Ballet Rambert (UK), Nederlands Dans Theatre and Den Norske Opera. Into all of these compositions he
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